B:The One Hundred and One Best Songs - The Cable Company - 1919 - Chicago, Illinois % From the index page: % This special collection of Old Favorite Melodies, Patriotic Songs, and College Songs, % together with some of the newer songs of unusual excellence, we mail, prepaid % for 10c a copy. Special rates for quantity lots. % This was a little stapled soft-cover booklet of tunes published by this piano manufacturer % in 1919. Under U.S. copyright law, all of the material in this booklet is now in the % public domain. % The booklet actually contained 102 songs, plus a blank page for "your state song." % The booklet doesn't specify which of the 102 songs is not one of the "best." % Transcribed by John Atchley, guitarnut.com % This isn't by any means a rare booklet, but most existing copies are in pretty % bad shape as they were printed on very poor quality paper. I scanned all of the % pages at very high resolution and will be archiving the images to CD, along with % some other books I am transcribing. If you really need the original source for % one of these songs let me know and I can e-mail you the scanned image (the full- % resolution images are about 3.8mb each, though). % Assign global decoration shortcuts U:H=!fermata! U:L=!accent! U:l=!crescendo(! U:k=!crescendo)! U:q=!diminuendo(! U:p=!diminuendo)! U:S=!segno! U:s=!D.S.! U:O=!coda! U:o=!D.C.! U:Z=!fine! U:r=!breath! X:1 T:America the Beautiful T:("Materna") % Four-part piano arrangement for standard notation. %%titlespace 30pt %%LineSep 20pt C:Katherine Lee Bates, 1904/Samuel A. Ward S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/4 Q:1/4=100 %%staves [(1 2) (3 4)] %%staffsep 30pt K:C V:1 clef=treble !mf!G | G > E E G | G > D D E | F G A B | G2- G w:O beau-ti-ful for spa-cious skies, For am-ber waves of grain,* w:O beau-ti-ful for pil-grim feet, Whose stern, im-pas-sioned stress* w:O beau-ti-ful for he-roes proved In lib-er-at-ing strife* w:O beau-ti-ful for pa-triot dream That sees be-yond the years* V:2 clef=treble !mf!E | E > C C E | D > B, B, B, | D D F F | (E2 F) V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn !mf!c' | c' > g g c' | b > g g g | b b d' d' | (c' ^a b) V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn !mf!c | c > c c G | d > d d G | d d G G | (c ^c d) V:1 G | G > E E G | G > D D d | ^c d e A | d2- Hd w:For pur-ple moun-tain maj-es-ties A-bove the fruit-ed plain!* w:A thor-ough-fare for free-dom beat A-cross the wil-der-ness!* w:Who more than self their coun-try loved, And mer-cy more than life.* w:Thine al-a-bas-ter cit-ies gleam, Un-dimmed by hu-man tears!* V:2 D | E > C C E | D > D D G | G G ^F ^F | (G ^F H=F) V:3 b | c' > g g c' | b > b b b | b b c' c' | (b c' Hd') V:4 G | c > c c A | d > d d d | d d d a | (g a Hb) V:1 !f!G | e > e rd c | c > B rB c | d B A G | c- c- c w:A-mer-i-ca! A-mer-i-ca! God shed His grace on thee,* w:A-mer-i-ca! A-mer-i-ca! God mend thine ev-'ry flaw,* w:A-mer-i-ca! A-mer-i-ca! May God thy gold re-fine,* w:A-mer-i-ca! A-mer-i-ca! God shed His grace on thee, V:2 !f!G | G > G rG E | F > G rG G | G G F F | (E E F) V:3 !f!g | c' > rc' c' c' | d' > d' rd' c' | b b c' d' | (c' g a) V:4 !f!g | g > re e g | g > d rd e | f g a b | (c' c c) V:1 c | c > A A c | c > G G G | A c G d | c3 |] w:And crown thy good with broth-er-hood, From sea to shin-ing sea! w:Con-firm thy soul in self-con-trol, Thy lib-er-ty in law! w:Till all suc-cess be no-ble-ness, And ev-'ry gain di-vine! w:And crown thy good with broth-er-hood, From sea to shin-ing sea! V:2 G | F > F F F | E > E E G | A c G F | E3 |] V:3 _b | a > a a a | g > c' c' g | a c' g b | c'3 |] V:4 c | f > f f d | g > g g g | a c' g G | c3 |] %%newpage X:2 T:The Star-Spangled Banner T:(Service Version*) % Four-part piano arrangement for standard notation. C:Francis Scott Key/John Stafford Smith %%HistoryFont Times-Roman 11 H:*The great growth of community singing, and the systematic introduction of mass singing as a factor in the training of the American army, brought into prominence the fact that there has never been an authorized official version of our national anthem. Probably this accounts for the many variations in printed and sung versions. In an effort to bring about greater unity, a representative committee worked for almost a year on this Service Version with the hope that it might be widely used. The Committee of Twelve was composed of the following members: John A. Carpenter, Frederick S. Converse, Wallace Goodrich, W.R. Spalding, representing the War Department Commission on Training Camp Activities; Hollis E. Dann, Peter W. Dykems, Osbourne McConathy, representing the Music Supervisors' National Conference; C.C. Birchard, Carl Engel, W.A. Fisher, Arthur Johnstone, E.W. Newton, representing Music Publishers. In their conferences, the Committee were agreed, as a fundamental point of departure, that the Star-Spangled Banner was to be regarded as a "folk song" and that therefore their efforts should be directed to determining what is the present commonly accepted version of the American people rather than to endeavoring to establish the authentic and original version from the historic standpoint. This principle led to a unanimous agreement regarding the version of the melody and the greater part of the harmony. Details concerning the deliverations of the Committee may be obtained from the Chairman, Peter W. Dykems, University of Wisconsin, Madison, Wisconsin. S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:3/4 L:1/4 Q:1/4=104 %%staves [(1 2) (3 4)] %%vocalfont Times-Roman 13 K:Bb V:1 clef=treble (!f!"^}>___With spirit."F3/4 D/4) | B, lD F | kB- B (Ld3/4 c/4) | qB D p=E | F2 F/- F/ | Ld > c B | w:1.~O* say! can you see,* by the dawn's ear-ly light, What so proud-ly we w:2.~On the shore, dim-ly seen* thro' the mists of the deep, Where the foe's haugh-ty w:3.~O* thus be it ev-er when* free-men shall stand Be\-* tween their lov'd V:2 clef=treble (!f!F3/4 D/4) | B, lD F | kD- D LD3/4- D/4 | qD D pC | C2 F/- F/ | LF > F F | V:3 clef=bass %%MIDI transpose -24 (!f!f3/4 d/4) | B lb c' | kb- b La3/4- a/4 | qb b pb | a2 f/- f/ | Lb > a b | V:4 clef=bass %%MIDI transpose -24 (!f!f3/4 d/4) | B lb a | kg- g L^f3/4 ^f/4 | qg g pc | f2 f/- f/ | LB > c d | V:1 A2 G3/4 A/4 | B B F | D B, F3/4 D/4 | B, lD F | kB2 Ld3/4 c/4 | w:hail'd at the twi-light's last gleam-ing? Whose broad stripes and bright stars, thro' the w:host in dread si-lence re-pos-es, What is that which the breeze, o'er the w:homes and the war's des-o-la-tion! Blest with vic-t'ry and peace, may the V:2 F2 F3/4 F/4 | F B F | D B, F3/4 D/4 | B, lD F | kD2 LD3/4 D/4 | V:3 c'2 c'3/4 c'/4 | b b f | d B f3/4 d/4 | B lb c' | kb2 La3/4 a/4 | V:4 f2 e3/4 e/4 | d b f | d B f3/4 d/4 | B lb a | kg2 L^f3/4 ^f/4 | V:1 B qD p=E | F2 F/ F/ | d > c B | A2 G3/4 A/4 | B B F | w:per-il-ous fight, O'er the ram-parts we watch'd, were so gal-lant-ly w:tow-er-ing steep, As it fit-ful-ly blows, half con-ceals, half dis\- w:Heav'n-res-cued land Praise the Pow'r that hath made and pre-served us a V:2 D qD pC | C2 F/ F/ | F > F F | F2 F3/4 F/4 | F B F | V:3 b qb pb | a2 f/ f/ | b > a b | c'2 c'3/4 c'/4 | b b f | V:4 g qg pc | f2 f/ f/ | B > c d | f2 e3/4 e/4 | d b f | V:1 D B, !mf!d/- d/ | ld e kf | f2 qe/ d/ | pc ld ke | e2 e/- e/ | w:stream-ing? And the rock-ets' red glare, the bombs burst-ing in air, Gave* w:clos-es? Now it catch-es the gleam of the morn-ing's first beam, In full w:na-tion! Then* con-quer we must, when our cause it is just, And* V:2 D B, !mf!B/- B/ | lB c kd | d2 qc/ B/ | pA lB kc | c2 F/- F/ | V:3 d B !mf!d'/- d'/ | l[d'b] [e'c'] k[f'd'] | [f'2d'2] qe'/ d'/ | p[c'a] l[d'b] k[e'c'] | [e'2c'2] a/- a/ | V:4 d B !mf!b/- b/ | lB3 | kB2 qc'/ b/ | pf3 | f2 f/- f/ | V:1 d > qc B | pA- A (G3/4 A/4) | B D =E | F2 || [Q:1/4=96] lO"_<^CHORUS."F/ kF/ | !f!B B (B/A/) | G G G | w:proof thro' the night* that our flag was still there. O* say, does that Star-span-gled w:glo-ry re-flect-ed, now* shines on the stream: 'Tis the Star-span-gled Ban-ner: O w:this be our mot-to: "In* God is our trust!" And the Star-span-gled Ban-ner in V:2 F > qF F | pF- F F3/4 F/4 | F D C | C2 || [Q:1/4=96] OlF/ kF/ | !f!D E F | E E F | V:3 b > a qb | c'- pc' c'3/4- c'/4 | b b b | a2 || [Q:1/4=96] Olf/ kf/ | !f!b b b | b b =b | V:4 B > c qd | f- pf e3/4- e/4 | d g c | f2 || [Q:1/4=96] Olf/ kf/ | !f!B c d | e e d | V:1 c (qe/d/) (c/pB/) | (qB pHA) F/ F/ | "^broaden"lB > c kd/ e/ | !ff!f2 B/ c/ | d > e c | B2 |] w:Ban-ner* yet* wave* O'er the land* of the free and the home of the brave? w:long may* it* wave* O'er the land* of the free and the home of the brave! w:tri-umph* shall* wave* O'er the land* of the free and the home of the brave! V:2 E (qE/F/) G | pqF- HF F/ F/ | lF2 kF/ B/ | !ff!B2 G/ =E/ | !ff!F > G E | D2 |] V:3 Lc' qg (e'/pd'/) | (qd' pHc') a/ a/ | (lb > c') kd'/ e'/ | !ff![f'2d'2] d'/ b/ | b > b a | b2 |] V:4 Lc (qc/d/) (e/p=e/) | qf- pHf f/ e/ | (ld > f) kb/ {b}c'/ | !ff!b2 g/ g/ | f > f f | B2 |] X:3 T:America T:(My Country, 'Tis of Thee) T:First sung in Park Street Church, Boston, July 4, 1832. %%titlespace 30pt %%LineSep 20pt % Four-part piano arrangement for standard notation. C:Samuel Francis Smith/Attributed to Henry Carey S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:3/4 L:1/4 Q:1/4=88 %%staves [(1 2) (3 4)] K:G V:1 clef=treble G G A | F>G A | B B c | B>A G | A G F | G3 | d d d | %%vocalfont Times-Roman 11.0 w:1.~My coun-try 'tis of thee, Sweet land of lib-er-ty, Of thee I sing; Land where my w:2.~My na-tive coun-try, thee, Land of the no-ble free, Thy name I love: I love thy w:3.~Let mu-sic swell the breeze, And ring thro' all the trees Sweet free-dom's song; Let mor-tal w:4.~Our fa-thers' God, to Thee, Au-thor of lib-er-ty, To Thee we sing; Long may our V:2 clef=treble D D E | D>E F | G G A | G>F E | E D D | D3 | B B B | V:3 clef=bass %%MIDI transpose -24 %%jsastem=up b b c' | a>a d' | d' e' e' | d'>c' b | c' b a | b3 | d' d' d' | V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn g g c | d>d d | g e c | d>^d e | c d d | g3 | g b d' | V:1 d>c B | c c c | c>B A | B c/B/ A/G/ | B>c d | e/c/ B A | G3 |] w:fa-thers died, Land of the Pil-grims' pride, From ev\-*ry* moun-tain-side Let* free-dom ring. w:rocks and rills, Thy woods and temp-led hills; My heart* with* rap-ture thrills Like* that a-bove. w:tongues a-wake; Let all that breathe par-take; Let rocks* their* si-lence break, The* sound pro-long. w:land be bright With free-dom's ho-ly light; Pro-tect* us* by Thy might, Great* God, our King. V:2 B>A G | A A A | A>G F | G G D | G>G G | G G F | D3 |] V:3 d'>d' d' | d' d' d' | d'>d' d' | d' e'/d'/ c'/b/ | d'>d' d' | c'/e'/ d' c' | b3 |] V:4 g>g g | d f a | d>d d | g g g | g>a b | c' d' d | [g3G] |] X:4 T:Tramp! Tramp! Tramp! % Four-part piano arrangement for standard notation. C:G.F.R./Geo. F. Root S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/8 Q:1/4=100 %%staves [(1 2) (3 4)] K:Bb V:1 clef=treble F > E | D > F B > c B2 B > A | G > B B > G F2 F > E | w:1.~In the pris-on cell I sit, Think-ing, Moth-er dear, of you, And our w:2.~In the bat-tle front we stood When their fierc-est charge they made, And they w:3.~So with-in the pris-on cell We are wait-ing for the day That shall V:2 clef=treble D > C | B, > D D > E D2 F > F | E > G G > E D2 D > C | V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn b > f | f > b b > b b2 b > b | b > e' e' > b b2 b > f | V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn B > B | B > B B > B B2 d > d | e > e e > e B2 B > B | V:1 D > F B > c d > d c > B | c6 F > E | D > F B > c B2 B > A | w:bright and hap-py home so far a-way; And the tears they fill my eyes Spite of w:swept us off, a hun-dred men or more; But be-fore we reached their lines They were w:come to o-pen wide the i-ron door; And the hol-low eyes grow bright, And the V:2 B, > D D > E F > F F > =E | F6 D > C | B, > D D > E D2 F > F | V:3 f > b b > b b > b c' > c' | a6 b > f | f > b b > b b2 b > b | V:4 B > B b > b b > b a > g | f6 B > B | B > B B > B B2 d > d | V:1 G > B B > G F2 d > c | B > A B > G A > F A > c | B6 z2 | w:all that I can do, Tho' I try to cheer my com-rades and be gay. w:beat-en back, dis-mayed, And we heard the cry of vic-t'ry o'er and o'er. w:poor heart al-most gay, As we think of see-ing home and friends once more. V:2 E > G G > E D2 F > F | G > G G > E E > E E > E | D6 z2 | V:3 b > e' e' > b b2 b > b | b > b e' > e' c' > a c' > f | f6 z2 | V:4 e > e e > e B2 B > d | e > e e > e f > f f > f | B6 z2 | V:1 "^CHORUS."d2 d2 d > c B > G | F4 B4 x | c2 c2 d > c B > d | w:Tramp! tramp! tramp! the boys are march-ing, Cheer up, com-rades, they will V:2 F2 F2 F > E E > E | D2 D2 D2 D2 x | F2 F2 F2 F2 | w: w:* * * * * * march-ing on, O cheer up, com- rades, V:3 b2 b2 f > f g > g | b2 b2 f2 f2 x | a2 a2 b2 b2 | V:4 B2 B2 B > B B > B | B2 B2 B2 B2 x | f2 f2 B2 d2 | V:1 c6 F > E | D > F B > c B2 B > A | V:2 F2 F2 F2 B, > A, | B, > D D > E D2 D > F | w:come,** And be-neath the star-ry flag We shall w:they will come, V:3 a2 a2 a2 f > f | f > f f > f f2 b > b | V:4 f2 f2 f e d > c | B > B B > B B2 B > B | V:1 G > B B > G F2 d > c | B > A B > G A > F A > c | B6 |] w: w:breathe the air a-gain Of the free-land in our own be-lov-ed home. V:2 E > G G > E D2 D > D | E > E E > E C > C E > E | D6 |] V:3 b > b b > b b2 f > f | g > g g > g f > a c' > a | b6 |] V:4 e > e e > e B2 B > B | e > e e > e f > f f > f | B6 |] %%newpage X:5 T:Yankee Doodle % Four-part piano arrangement for standard notation. %%titlespace 30pt %%LineSep 20pt C:Dr. Schamburg/Old English Tune ca. 1755 S:From "The One Hundred and One Best Songs" / The Cable Company / 1919 / Chicago, Illinois M:2/4 L:1/8 Q:1/4=120 %%staves [(1 2) (3 4)] %%vocalfont Times-Roman 12 %%textfont Times-Roman 10 K:A V:1 clef=treble E | A A B c | A c B G | A A (B c) | A2 G E | A A w:1. Fath'r and I went down to camp, A-long with Cap-tain Good-'in, And there we w:2.~~And there we see a thou-sand men, As rich as Squire* Da-vid; And what they w:3.~~And there was Cap-tain Wash-ing-ton, Up-on a slap-ping stal-lion, A-giv-ing w:4.~~And then the feath-ers on his hat, They looked so ver-y fine, ah! I want-ed V:2 clef=treble E | C C D E | C E D D | C C (D E) | C2 D D | C C V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn e | a a g g | a a g b | a a (g g) | a2 b g | a a V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn e | A A e e | A A e e | A A (e e) | A2 e e | A A V:1 B c | d c B>A | G E F G | A2 A z | "^CHORUS."F > G F E | F G AF | w:saw the men and boys As thick as has-ty pud-din'. w:wast-ed ev-'ry day, I wish it could be sav-ed. Yan-kee Doo-dle, keep it up,_ w:or-ders to his men; I guess there was a mil-lion. w:pes-ki-ly to get To give to my Je-mi-ma. V:2 D E | F E D>C | B, D D D | C2 C z | D > E D D | D E FD | V:3 a a | a a f>f | e g a b | a2 a z | a > a a a | a a d'a | V:4 A A | d d d>d | e e e e | A2 A z | d > d d d | d d d2 | V:1 E>F E D | C>D E z | F>G F E | F G A F | E A G B | A2 A |] w: w:Yan-kee Doo-dle dan\-* dy, Mind the mu-sic and the step, And with the girls be hand-y. V:2 C>D C B, | A,>B, C z | D>E D D | D E F D | C C D D | C2 C |] V:3 a>a a a | e2 a z | a>a a a | a a a a | a a b g | a2 a |] V:4 A>A A A | A2 A z | d>d d d | d d d d | e e e e | A2 A |] W:5 And there I see a swamping gun, Large as a log of maple, Upon a W:mighty little cart; A load for father's cattle. W:6 And every time they fired it off, It took a horn of powder; It made a W:noise like father's gun, Only a nation louder. W:7 And there I see a little keg, Its head all made of leather; They knocked W:upon't with little sticks, To call the folks together. W:8 And Cap'n Davis had a gun, He kind o' clapt his hand on't; And stuck a W:crooked stabbing-iron Upon the little end on't. W:9 The troopers, too, would gallop up And fire right in our faces; It scared W:me almost half to death To see them run such races. W:10 It scared me so I hooked it off, Nor stopped, as I remember, Nor turned W:about till I got home, Locked up in mother's chamber. %%newpage X:6 T:Columbia, the Gem of the Ocean % Four-part piano arrangement for standard notation. %%titlespace 30pt %%LineSep 20pt C:David T. Shaw/David T. Shaw S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/8 Q:1/4=120 %%staves [(1 2) (3 4)] %%vocalfont Times-Roman 12.0 K:G V:1 clef=treble "^Spirited"D3/2- D/2 | G2 G > G A2 d > c | B G2 z z2 D- D | E2 e d cB A G | (G4 F2) z w:1.~O Co-lum-bia, the gem of the o-cean, The* home of the brave* and the free,* w:2.~When* war winged its wide des-o-la-tion, And* threat-ened the land* to de-form,* w:3.~The* star-span-gled ban-ner bring hith-er, O'er Co-lum-bia's true sons* let it wave;* V:2 clef=treble D3/2- D/2 | D2 D > D F2 F > F | G D2 z z2 B,- B, | C2 E E E2 E E | E6 z V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn d3/2- d/2 | b2 b > b d'2 a > d' | d' b2 z z2 g- g | g2 c' c' g2 a a | (b4 a2) z V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn d3/2- d/2 | G2 G > G d2 d > d | g g2 z z2 G- G | c2 c c c2 ^c ^c | d6 z V:1 A/- A/ | A2 A > A A2 B ^c | d A z2 z2 d- d | ^cB A G FE A ^C | D2 z2 z2 w:The* shrine of each pa-triot's de-vo-tion, A* world* of-fers hom\-* age to thee. w:The* ark then of free-dom's foun-da-tion, Co\-* lum\-* bia, rode safe* thro' the storm: w:May the wreaths they have won nev-er with-er, Nor its stars* cease to shine* on the brave: V:2 F/- F/ | F2 F > F E2 G G | F F z2 z2 F- F | AG F E D^C ^C A, | A,2 z2 z2 V:3 d'/- d'/ | d'2 d' > d' ^c'2 d' e' | d' d' z2 z2 d'- d' | d'2 b b a2 g g | f2 z2 z2 V:4 d/- d/ | d2 d > d a2 a a | d d z2 z2 d- d | g2 G G A2 A A | d2 z2 z2 V:1 (D F) | A2 A A GF E D | D G z2 z2 (G A) | B2 B B cB A G | A2 z2 z2 w:Thy* man-dates make he\-* roes as-sem-ble, When* Lib-er-ty's form* stands in view; w:With the gar-lands of vic\-* t'ry a-round her, When so proud-ly she bore* her brave crew, w:May the serv-ice, u-nit\-* ed, ne'er sev-er, But* hold to their col\-* ors so true; V:2 D- D | F2 F F D2 C C | B, B, z2 z2 G- G | G2 G D ED E E | F2 z2 z2 V:3 d'- d' | d'2 d' d' c'2 f f | g g z2 z2 (b c') | d'2 d' g g2 g e' | d'2 z2 z2 V:4 d- d | d2 d d d2 d d | g g z2 z2 g- g | g2 g g g2 c ^c | d2 z2 z2 V:1 (G B) | Sd2 d d cB A G | F E z2 z2 ed | cB A G F2 E F | ZG6 || w:Thy* ban-ners make tyr\-* an-ny trem-ble When* borne* by the red, white and blue; w:With her flag proud-ly float\-* ing be-fore her, The* boast* of the red, white and blue; w:The* ar-my and na\-* vy for-ev-er, Three* cheers* for the red, white and blue; V:2 (D G) | SG2 G G ED D D | D C z2 z2 E2 | E2 E E D2 D D | ZD6 || V:3 (b d') | S[b2g] [bg] [bg] g2 f g | a g z2 z2 g ^g | a2 a a a2 c' c' | Zb6 || V:4 g- g | SG2 G G G2 A B | c c z2 z2 cB | A2 c c d2 d d | Zg6 || V:1 "^CHORUS."FG | A2 A > A A2 d c | B2 z2 z2 FG | A2 A A A2 d c | B2 z2 z2 (sG B) |] w:When* borne by the red, white and blue, When* borne by the red, white and blue; Thy* w:The* boast of the red, white and blue, The* boast of the red, white and blue; With her w:Three* cheers for the red, white and blue, Three* cheers for the red, white and blue; The* V:2 DE | F2 F > F F2 F A | G2 z2 z2 DE | F2 F F F2 F A | G2 z2 z2 (sD G) |] V:3 d'2 | d'2 d' > d' d'2 a d' | d'2 z2 z2 d'2 | d'2 d' d' d'2 a d' | d'2 z2 z2 (sb d') |] V:4 d2 | d2 d > d d2 d f | g2 z2 z2 d2 | d2 d d d2 d f | g2 z2 z2 sg- g |] %%newpage X:7 T:Battle Hymn of the Republic % Four-part piano arrangement for standard notation. C:Julia Ward Howe/Air: "John Brown's Body" S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/8 Q:1/8=168 %%staves [(1 2) (3 4)] %%staffsep 30pt K:Bb V:1 clef=treble "^Allegretto"F/- F/ | F > F F > E D > F B > c | d > d d > c B2 B > A | %%vocalfont Times-Roman 13.0 w:1.~Mine* eyes have seen the glo-ry of the com-ing of the Lord; He is w:2.~I have seen Him in the watch-fires of a hun-dred cir-cling camps; They have w:3.~I have read a fier-y gos-pel writ in bur-nished rows of steel: "As ye w:4.~He has sound-ed forth the trump-et that shall nev-er call re-treat; He is w:5.~In the beau-ty of the lil-ies Christ was born a-cross the sea, With a V:2 clef=treble D/- D/ | D > D D > C B, > D F > F | F > F F > E D2 F > F | V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn b/- b/ | b > b b > f f > b b > a | b > b b > a b2 b > b | V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn B/- B/ | B > B B > B B > B d > f | b > b b > f B2 d > d | V:1 G > G G > A B > A B > G | F > G F > D F2 F > F | w:tram-pling out the vint-age where the grapes of wrath are stored; He hath w:build-ed Him an al-tar in the eve-ning dews and damp; I can w:deal with My con-tem-ners, so with you My grace shall deal." Let the w:sift-ing out the hearts of men be-fore His judg-ment-seat; Oh, be w:glo-ry in His bos-om that trans-fig-ures you and me; As He V:2 E > E E > F G > F G > E | D > E D > B, D2 D > D | V:3 b > b b > b e' > e' e' > b | b > b b > f b2 b > b | V:4 e > e e > e e > e e > e | B > B B > B B2 B > B | V:1 F > F F > E D > F B > c | d > d d > c B2 B2 | c2 c2 B2 A2 | B4 z4 | w:loosed the fate-ful light-ning of His ter-ri-ble swift sword, His truth is march-ing on. w:read His right-eous sen-tence by the dim and flar-ing lamps, His day is march-ing on. w:He-ro, born of wom-an crush the ser-pent with His heel, Since God is march-ing on. w:swift, my soul, to an-swer Him! be ju-bi-lant, my feet! Our God is march-ing on. w:died to make men ho-ly, let us die to make men free, While God is march-ing on. V:2 D > D D > C B, > D F > F | F > F F > E D2 F2 | G2 G2 F2 E2 | D4 z4 | V:3 b > b b > f f > b b > a | b > b b > b b2 b2 | e'2 e'2 d'2 c'2 | b4 z4 | V:4 B > B B > B B > B d > f | b > b f > f B2 d2 | e2 e2 f2 f2 | B4 z4 | V:1 "^CHORUS."F3 E D > F B > c | d4 B2 z2 | G3 A B > A B > G | F4 D4 | w: w: w:Glo-ry! glo-ry! Hal-le-lu-jah! Glo-ry, glo-ry! Hal-le-lu-jah! V:2 D3 C B, > D D > E | F4 D2 z2 | E3 F G > F G > E | D4 B,4 | V:3 b3 b f > b b > b | b4 f2 z2 | b3 b b > b b > b | b4 f4 | V:4 B3 B B > B B > B | B4 B2 z2 | e3 e e > e e > e | B4 B4 | V:1 F3 E D > F B > c | d4 B2 B2 | c2 c2 B2 A2 | B6 z2 |] w: w: w:Glo-ry! glo-ry! Hal-le-lu-jah! His truth is march-ing on. V:2 D3 C B, > D D > E | F4 D2 F2 | G2 G2 F2 E2 | D6 z2 |] V:3 b3 b f > f f > f | b4 f2 b2 | e'2 e'2 d'2 c'2 | b6 z2 |] V:4 B3 B B > B B > B | B4 B2 d2 | e2 e2 f2 f2 | B6 z2 |] %%newpage X:8 T:La Marseillaise T:FRENCH NATIONAL HYMN T:(Based on the Official French Version) %%LineSep 20pt % Four-part piano arrangement for standard notation. C:/Rouget de L'Isle (Arranged by Henry S. Sawyer) S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/8 Q:1/8=168 %%staves [(1 2) (3 4)] K:G V:1 clef=treble "^Marziale"D/ D > D | G2 G2 A2 A2 | (d3 B) G > G B > G | E2 c4 A > F | w:1.~Ye sons of France, a-wake to glo\-* ry! Hark! hark! what myr-iads bid you w:2.~With lux-u-ry and pride sur-round\-* ed The vile in-sa-tiate des-pots w:3.~O Lib-er-ty! can man re-sign* thee? Once hav-ing felt thy gen-'rous V:2 clef=treble D/ D > D | D2 D2 D2 F2 | G4 G > D D > D | C2 E4 C > C | V:3 clef=bass %%MIDI transpose -24 d/ d > d | b2 b2 a2 c'2 | (b3 d') b > b g > g | g2 a4 f > a | V:4 clef=bass %%MIDI transpose -24 d/ d > d | g2 g2 f2 d2 | G4 G > G G > B | c2 A4 d > d | V:1 G4- G z/ G/ G > A | B2 B2 B2 c>B | B2 A2 z > A A > B | c2 c2 w:rise!* Your chil-dren, wives, and grand-sires* hoar-y, Be-hold their tears and w:dare,* Their thirst for gold and pow'r un\-* bound-ed, To mete and vend the w:flame,* Can dun-geon bolts and bars con\-* fine thee, Or whips thy no-ble V:2 B,4- B, z/ G/ G > F | G2 G2 G2 A>G | G2 F2 z > F F > F | F2 F2 V:3 g4- g z/ d'/ d' > d' | d'2 d'2 d'2 d'2 | d'2 d'2 z > c' c' > b | a2 a2 V:4 G4- G z/ b/ b > a | g2 g2 g2 f>g | d2 d2 z > d d > d | d2 d2 V:1 c2 d>c | B4 z > d d > d | d2 B>G d2 B>G | D4- D z/ D/ D > F | w:hear their* cries, Be-hold their tears and* hear their* cries!* Shall hate-ful w:light and* air, To mete and vend the* light and* air!* Like beasts of w:spir-it* tame? Or whips thy no-ble* spir-it* tame?* Too long the V:2 F2 F2 | G4 z > d d > d | d2 B>G d2 B>G | D4-D z/ D/ D > D | V:3 a2 a>d' | d'4 z > d' d' > d' | d'2 b>g d'2 b>g | d4-d z/ f/ f > a | V:4 d2 d2 | g4 z > {d}d' {d}d' > {d}d' | {d}d'2 b>g {d}d'2 b>g | d4-d z/ d/ d > d | V:1 A2 A2 c2 A>F | A2 G2 z G =F =F | E3 G G2 F>G | A6 z A | w:ty-rants mis-chief* breed-ing, With hire-ling hosts, a ruf-fian* band, Af\- w:bur-den would they* load us, Like gods would bid their slaves a\-* dore; But w:world has wept, be\-* wail-ing The blood-stain'd sword our con-qu'rors* wield; But V:2 D2 D2 D2 D2 | D2 D2 z D D D | C3 E E2 E2 | F6 z F | V:3 f2 f2 a2 c'>a | c'2 b2 z b g g | g3 c' ^c'2 ^c'2 | d'6 z d' | V:4 d2 d2 d2 d2 | g2 g2 z G B B | c3 c A2 a2 | d6 z d | V:1 _B3 _B _B _B c d | A4 z2 _B>A | G3 G G _B A > G | G2 F4 z3/2 w:fright and des-o-late the land While* peace and lib-er-ty lie bleed-ing? w:man is man, and who is more? Then* shall they lon-ger lash and goad us? w:free-dom is our sword and shield, And* all their arts are un-a-vail-ing! V:2 G3 G G G A _B | F4 z2 F2 | D3 D D D D > D | D2 D4 z3/2 V:3 d'3 d' d' d' d' d' | d'4 z2 d'>c' | _b3 _b _b d' c' > _b | _b2 a4 z3/2 V:4 g3 g g g g g | d4 z2 d2 | g3 g g g g > g | d2 d4 z3/2 V:1 "^{__REFRAIN"d/ | d4- d > d B > G | A6 z > d | d4- d > d B > G | A4- A z D2 | G6 A2 | w: w:To arms,* to arms, ye brave! Th'a-veng\-* ing sword un-sheathe!* March on! march V:2 d/ | d4- d > d B > G | D6 z > d | d4- d > d B > G | D4- D z D2 | D6 F2 | V:3 d'/ | d'4- d' > d' b > g | f6 z > d' | d'4- d' > d' b > g | f4- f z d'2 | b6 d'2 | V:4 {d}d'/ | {d}d'4- {d}d' > {d}d' b > g | d6 z > {d}d' | {d}d'4- {d}d' > {d}d' b > g | d4- d z d2 | g6 d2 | V:1 B6 z2 | c4 d2 e2 | A4- A z e2 | d4- d > B c > A | G4- G z/ |] w: w:on! all hearts re-solved* On lib\-* er-ty or death! V:2 G6 z2 | G4 G2 G2 | F4-F z F2 | G4- G > G F > F | D4- D z/ |] V:3 d'6 z2 | c'4 b2 _b2 | a4- a z c'2 | b4- b> d' d' > c' | b4- b z/ |] V:4 g6 z2 | e4 d2 ^c2 | d4- d z d2 | g4- g > g d > d | G4-G z/ |] X:9 T:Anvil Chorus T:(from "IL TROVATORE") %%LineSep 30pt %%topspace 50pt %%titlespace 50pt C:/Giuseppe Verde S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/4 Q:1/4=110 K:F "@@19"z4 | !p!z2 F C/ A,/ | G E/ C/ A F/ C/ | B G/ E/ c A/ F/ | d !tenuto!B/ .G/ w:God of the na-tions, in glo-ry en-thron-ed, Up-on our loved coun-try Thy E F | G z F C/ A,/ | G E/ C/ A F/ C/ | B G/ E/ c A/ F/ | w:bless-ings pour; Guide us and guard us from strife in the fu-ture, Let peace dwell a\- d B/ G/ E F | G z z2 | "@@5"z4 | !f!d2 d > d | (d > c) B > G | F > A c > _e | d2 B z | w:mong us for-ev-er-more. Proud-ly our ban\-* ner now gleams with gold-en lus-ter! d2 d > d | (d > c) (B > G) | F > A c > _e | (d B) d z | B z c z | A B G A | w:Brigh-ter each star* shines* in the glo-rious clus\-* ter! Hail! Hail! Free-dom ev-er\- D2 z3/4 [^F/4D] [G3/4E] [A/4^F] | [BG] [BG] z3/4 [A/4^F] [B3/4G] [c/4A] | [dB] [dB] z3/4 [c/4A] [d3/4B] [_e/4c] | [f3d3] [_ec] | [d3B3] z |] w:more, And truth tr-um-phant, and truth tr-um-phant through-out our glo-rious land. %%newpage X:10 T:Illinois H:This song included the note, "Used by permission of Clayton F. Summy Co., Owners of the Copyright." C:Words by C. H. Chamberlain/Air: "Baby Mine" %%NoDecos 5 yes %%NoDecos 2 no %%staffsep 30pt %%LineSep 30pt %%titlespace 40pt %%textspace 10pt S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/8 Q:1/4=110 %%staves [(1) (2 3) (4 5)] K:F V:1 clef=treble A B | c A G F A F D > C | w:1.~By thy riv-ers gen-tly flow-ing, Il-li\- w:2.~From a wil-der-ness of prai-ries, Il-li\- w:3.~When you heard your coun-try call-ing, Il-li\- w:4.~Not with-out thy won-drous sto-ry, Il-li\- V:2 clef=treble z2 | F2 F2 F2 F2 | V:3 clef=treble z2 | A,2 A,2 A,2 B,2 | V:4 clef=bass %%MIDI transpose -24 z2 | c2 c2 c2 d2 | V:5 clef=bass %%MIDI transpose -24 z2 | F2 F2 F2 B2 | V:1 F2 F > G F2 A B | c A G F A F D > C | w:nois, Il-li-nois, O'er thy prai-ries ver-dant grow-ing, Il-li\- w:nois, Il-li-nois, Straight thy way and nev-er va-ries, Il-li\- w:nois, Il-li-nois, Where the shot and shell were fall-ing, Il-li\- w:nois, Il-li-nois, Can be writ the na-tion's glo-ry, Il-li\- V:2 F2 F>G F2 z2 | F2 F2 F2 D>C | V:3 A,2 B,2 A,2 z2 | A,2 A,2 A,2 A,2 | V:4 c2 d2 c2 z2 | c2 c2 c2 f2 | V:5 F2 F2 F2 z2 | F2 F2 F2 F2 | V:1 G2 G > A G2 A B | c A d B c2 A B | w:nois, Il-li-nois, Comes an ech-o on the breeze, Rus-tling w:nois, Il-li-nois, Till up-on the in-land sea Stands Chi\- w:nois, Il-li-nois, When the South-ern host with-drew, Pit-ting w:nois, Il-li-nois, On the rec-ord of thy years, A-bra'am V:2 G2 G>A G2 AB | c2 d2 c2 AB | V:3 =B,2 =B,2 C2 F2 | F2 F2 F2 F2 | V:4 f2 f>f e2 c'b | a2 b2 a2 c'b | V:5 G2 G>G c2 f2 | f2 f2 f2 f2 | V:1 c A d B c2 A B | c A G F (AF) D > C | w:thro' the leaf-y trees, And its mel-low tones are these,* Il-li\- w:ca-go, great and free, Turn-ing all the world to thee,* Il-li\- w:Gray a-gainst the Blue, There were none more brave than you,* Il-li\- w:Lin-coln's name ap-pears, Grant, and Lo-gan, and our tears,* Il-li\- V:2 c2 d2 c2 z2 | F2 F2 F2 F2 | V:3 F2 F2 F2 z2 | A,2 A,2 A,2 B,2 | V:4 a2 b2 a2 z2 | c2 c2 c2 d2 | V:5 f2 f2 f2 z2 | F2 F2 F2 B2 | V:1 F2 F > G A2 A B | c f e d (cA) G > F | F6 |] w:nois, Il-li-nois, And its mel-low tones are these,* Il-li-nois! w:nois, Il-li-nois, Turn-ing all the world to thee,* Il-li-nois! w:nois, Il-li-nois, There were none more brave than you,* Il-li-nois! w:nois, Il-li-nois, Grant, and Lo-gan, and our tears,* Il-li-nois! V:2 F2 F>G A2 AB | cf ed [cA]A [G3/2E]F/ | F6 |] V:3 A,2 C2 F2 FE | F2 F2 FF [C3/2B,][C/A,] | [C6A,] |] V:4 c2 a>b c'2 c'c' | c'2 d'2 c'2 c2 | f6 |] V:5 F2 f2 f2 fg | a2 b2 c2 C2 | F6 |] W:5 When the Cubans struck for freedom, Illinois, Illinois, W: Uncle Sam resolved to aid them, Illinois, Illinois, W: And for men on land and sea, W: Illinois said, "Call on me! W: For the Cubans must be free!" Illinois, Illinois, W: For the Cubans must be free, Illinois! W:6 Some encamped at Chickamanga, Illinois, Illinois, W: Others fell at Santiago, Illinois, Illinois, W: Others, anxious for a call, W: They will march, or fight, or fall, W: They are heroes, heroes, all, Illinois, Illinois, W: They are heroes, heroes, all, Illinois! X:14 T:March of the Men of Harlech % Four-part piano arrangement for standard notation. C:English Words by John Oxenford/Welsh National Melody S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/4 Q:1/4=110 %%staves [(1 2) (3 4)] %%NoDecos 3 no %%NoDecos 4 no %%DecosBelowSt 3 yes %%DecosBelowSt 4 yes K:Ab V:1 clef=treble "^With martial spirit throughout"A>>G F>>G | A B c A | d c B A | G F w:1.~~Men of Har-lech! in the hol-low, Do ye hear, like rush-ing w:~~'Tis the tramp of Sax-on foe-men, Sax-on spear-men, Sax-on w:2.~~Rock-y steeps and pass-es nar-row Flash with spear and flight of w:~~Hurl the reel-ing horse-men o-ver! Let the earth dead foe-men w:3.~~Men of Har-lech! hon-or calls us, No proud Sax-on e'er ap- w:~~Tho' our moth-ers may be weep-ing, Tho' our sis-ters may be V:2 clef=treble C>>C D>>E | E E E E | E E F F | E =D V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn a>>a a>>b | a g a a | g a d' b | b b V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn A>>A d>>d | c B A c | B c d =d | e B V:1 G E | A>>G F>>G | A B c f | e<>c | A3 z :| w:bil-low, Wave on wave that, surg-ing, fol-low Bat-tle's dis-tant sound? w:bow-men; Be they knights, or hinds, or yeo-men, They shall bite the ground. w:ar-row; Who would think of death or sor-row? Death is glo-ry now! w:cov-er! Fate of friend, of wife, of lov-er, Tremb-les on a blow! w:palls us! On we march, what-e'er be-falls us, Nev-er shall we fly! w:keep-ing Watch for some who now are sleep-ing On the bat-tle field! V:2 E E | E>>E D>>E | E E E A | A<>G | E3 z :| V:3 b g | a>>a a>>b | a g a a | c'<>e' | c'3 z :| V:4 e d | c>>c d>>d | c e a d | e<>e | A3 z :| V:1 B>>A G>>A | B B z2 | e>>d c>>d | e e z2 | e>>d c>>d | w: w:Loose the folds a-sun-der, Flag we con-quer un-der! Plac-id skies that w:Strands of life are riv-en, Blow for blow is giv-en, Dead-ly locks or w:For-ward, light-ly bound-ing, Hear the trump-et sound-ing! For-ward ev-er, V:2 G>>F E>>F | G G z2 | c>>B A>>B | c c z2 | c>>B A>>B | V:3 g>>a b>>a | g g z2 | c'>>d' e'>>d' | c' c' z2 | c'>>d' e'>>d' | V:4 e>>f g>>f | e e LE LE | a>>b c'>>b | a a LA LA | a>>b c'>>b | V:1 e>>d c>>d | e3/4f/4 e3/4d/4 c3/4B/4 c3/4d/4 | e e z2 | f f e e | w: w:hear our cries Shall launch* their* bolts* in* thun-der! On-ward! 'tis our w:bat-tle shocks When mer\-* cy* shrieks* to* heav-en! Men of Har-lech! w:back-ward nev-er, This* proud* foe* a\-* stound-ing! Fight for fa-ther, V:2 c>>B A>>B | c3/4d/4 c3/4B/4 A3/4G/4 A3/4B/4 | c c z2 | A A A A | V:3 c'>>d' e'>>d' | c'3/4b/4 c'3/4d'/4 e' e'3/4d'/4 | c' c' z2 | d' d' [c'e'] [c'e'] | V:4 a>>b c'>>b | a3/4g/4 a3/4b/4 c'3/4d'/4 c'3/4b/4 | a a LA LA | d d c c | V:1 d d c c | B d/c/ B A | G F G E | w: w:coun-try needs us! He is* brav-est, he who leads us! w:young or hoar-y, See your* ban-ner, Famed in sto-ry, w: sis-ter, moth-er, Each is* bound to each as broth-er; V:2 G G A A | F F F F | E =D E E | V:3 [be'] [be'] [ae'] [c'e'] | d' f/=a/ b b | b b b g | V:4 B B A c | d B/c/ d =d | e B e _d | V:1 A>>G F>>G | A B c f | e<>c | A3 z |] w: w:Hon-or's self now proud-ly heeds us! Free-dom, God, and Right! w:Strike for home, for life, for glo-ry! Nev-er will we yield! w:With this faith in one an-oth-er We will win or die! V:2 E>>E D>>E | E E E A | A<>G | E3 z |] V:3 a>>a a>>b | a g a =b | c'<>e' | c'3 z |] V:4 c>>c d>>d | c e a =d | e<>e | A3 z |] X:17 T:Good-Night, Ladies % Four-part piano arrangement for standard notation. S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/4 Q:1/4=110 %%staves [(1 2) (3 4)] %%vocalfont Times-Roman 12 K:Bb V:1 clef=treble !f!"@{Sostenuto."d2 B2 | F/4 B3/4-B2 z | d2 B2 | c/4 c3/4-c2 z | d2 B2 | e/4 e3/4-e2 z/ e/ | d > d w:1.~Good-night, la-dies!* Good-night, la-dies!* Good-night, la-dies!* We're going to w:2.~Fare-well, la-dies!* Fare-well, la-dies!* Fare-well, la-dies!* We're going to w:3.~Sweet dreams, la-dies!* Sweet dreams, la-dies!* Sweet dreams, la-dies!* We're going to V:2 clef=treble !f!"@{Sostenuto."F2 D2 | D/4 D3/4-D2 z | F2 F2 | F/4 F3/4-F2 z | F2 _A2 | G/4 G3/4-G2 z/ G/ | F > F V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn !f!"@{Sostenuto."b2 f2 | f/4 f3/4-f2 z | b2 b2 | a/4 a3/4-a2 z | b2 b2 | b/4 b3/4-b2 z/ b/ | b > b V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn !f!"@{Sostenuto."B2 B2 | B/4 B3/4-B2 z | B2 d2 | f/4 f3/4-f2 z | B2 d2 | e/4 e3/4-e2 z/ e/ | f > f V:1 c > c | B3 z |: "@{Allegro."d3/4 c/4 B/ c/ d/ d/ d |1 c/ c/ c d/ f/ f :|2 "^Ritard molto."c3/4 c/4 d/ c/ "^@^Repeat pp."B2 |] w: w:leave you now. Mer-ri-ly we roll a-long, roll a-long, roll a-long, O'er the dark blue sea. w: V:2 E > E | D3 z |: "@{Allegro."F3/4 F/4 F/ F/ F/ F/ F |1 F/ F/ F F/ F/ F :|2 "^Ritard molto."E3/4 E/4 F/ E/ "^{Repeat pp."D2 |] V:3 a > f | f3 z |: "@{Allegro."b3/4 e'/4 d'/ c'/ b/ b/ b |1 a/ a/ a b/ d'/ d' :|2 "^Ritard molto."a3/4 a/4 a/ f/ "^{Repeat pp."f2 |] V:4 f > f | B3 z |: "@{Allegro."B3/4 B/4 B/ B/ B/ B/ B |1 f/ f/ f B/ B/ B :|2 "^Ritard molto."f3/4 f/4 f/ f/ "^{Repeat pp."B2 |] X:23 T:Believe Me, If All Those Endearing Young Charms % Four-part piano arrangement for standard notation. C:Thomas Moore/Irish Air "My Lodging is in the Cold Ground" S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:6/8 L:1/8 Q:1/4=80 %%staves [(1 2) (3 4)] K:Eb V:1 clef=treble "^Andantino"G/F/ | E > F E E G B | A c e e2 d/ c/ | B > A G w:1.~Be\-* lieve me, if all those en-dear-ing young charms, Which I gaze on so w:2.~It* is not while beau-ty and youth are thine own, And thy cheeks un-pro\- V:2 clef=treble "^Andantino"D | B, > B, B, B, E E | E A A A2 F/ F/ | G > D E V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn "^Andantino"a | g > a g g b b | c' e' c' c'2 b/ d'/ | e' > b b V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn "^Andantino"B | e > e e e e g | a a a a2 a/ a/ | g > f e V:1 F > E F | G3-G2 G/ F/ | E > F E E G B | A c e e2 (d/ c/) | w:fond-ly to-day,* Were to change by to-mor-row, and fleet in my arms, Like* w:faned by a tear,* That the fer-vor and faith of a soul can be known, To which V:2 D > C D | E3-E2 D/ D/ | B, > B, B, B, E E |E A A A2 (A/ A/) | V:3 b > b b | b3-b2 b/ a/ | g > a g g b _d' | c' e' c' c'2 (d'/ e'/) | V:4 B > B B | e3-e2 B/ B/ | e > e e e e g | a a a a2 (a/ a/) | V:1 B e G F > E F | E3-E2 B/ A/ | G B e e > e (B/ B/) | w:fair-y gifts, fad-ing a-way,* Thou wouldst still be a-dored* as this w:time will but make thee more dear!* No, the heart that has tru-ly loved* V:2 G G E D > E D | B,3-B,2 G/ F/ | E G G G > G (G/ G/) | V:3 e' e' b a > g a | g3-g2 b/ b/ | b b b b > b (e'/ e'/) | V:4 b b b B > B B | e3-e2 e/ e/ | e e e e > e (e/ e/) | V:1 c A e e2 d/ c/ | B > A G F > E F | G3-G2 G/ F/ | E > F E w:mo-ment thou art, Let thy love-li-ness fade as it will;* And a-round the dear w:nev-er for-gets, But as tru-ly loves on to the close;* As the sun-flow-er V:2 A E A A2 A/ A/ | G > E E D > C D | E3-E2 D/ D/ | B, > B, B, V:3 e' c' c' c'2 d'/ e'/ | e' > c' b b > b b | b3-b2 b/ a/ | g > a g V:4 a a a a2 a/ a/ | e > e e B > B B | e3-e2 B/ B/ | e > e e V:1 E G B | A c e e2 d/ c/ | B e G F > E F | E3-E z |] w:ru-in, each wish of my heart Would en-twine it-self ver-dant-ly still!* w:turns on her god, when he sets, The same look which she turned when he rose!* V:2 B, E E | E A A A2 A/ A/ | G G E D > E D | B,3-B, z |] V:3 g b _d' | c' e' c' c'2 d'/ e'/ | e' e' b a > g a | g3-g z |] V:4 e e g | a a a a2 a/ a/ | b b b B > B B | e3-e z |] X:26 T:The Wearing of the Green % Four-part piano arrangement for standard notation. C:Words by Dion Boucicault S:From "The One Hundred and One Best Songs" / The Cable Company / 1919 / Chicago, Illinois M:2/4 L:1/8 Q:1/4=110 %%staves [(1 2) (3 4)] %%vocalfont Times-Roman 13 K:F V:1 clef=treble "^Moderato"F/G/ | A A A A | A c c A | A G G G | G2 z c | w:1.~~~~O* Pad-dy dear, and did you hear the news that's go-ing round? The w:2.~Then* since the col-or we must wear is Eng-land's cru-el red, Sure w:3.~But* if at last our col-or should be torn from Ire-land's heart, Her V:2 clef=treble F/E/ | F F F F | F F F F | F E E E | E2 z E | V:3 clef=bass %%MIDI transpose -24 a/b/ | c' c' c' c' | c' a a c' | c' c' c' c' | c'2 z g | V:4 clef=bass %%MIDI transpose -24 f | f f f f | f f f f | c c c c | c2 z c | V:1 d B f d | d c A F | G F F F | F2 (F G) | A A A A | w:Sham-rock is for-bid by law to grow on I-rish ground; Saint* Pat-rick's Day no w:Ire-land's sons will ne'er for-get the blood that they have shed. You may take the Sham-rock w:sons with same and sor-row from the dear old soil will part. I've heard whis-per of a V:2 F F F F | F F F C | C C C C | C2 (C E) | F F F F | V:3 b d' d' b | b a c' a | b a a a | a2 (a c') | c' c' c' c' | V:4 B b b b | f f f f | c f f f | f2 (f c) | f f f f | V:1 A c c A | A G G G | G2 z c | d B f d | d c A F | w:more we'll keep, his col-or can't be seen, For there's a blood-y law a-gin' the w:from your hat, and cast it on the sod, But 'twill take root and flour-ish still, tho' w:coun-try that lies far be-yant the say, Where rich and poor stand e-qual in the V:2 F F F F | F E E E | E2 z F | F F F F | F F F C | V:3 c' a a c' | c' c' c' c' | c'2 z a | b d' d' b | b a c' a | V:4 f f f f | c c c c | c2 z f | B b b b | f f f f | V:1 G F F F | F2 (f e) | d d c A | c c F G | A G A B | w:wear-in' o' the green. I* met with Nap-per Tan-dy, and he tuk me by the w:un-der-foot 'tis trod. When the law can stop the blades of grass from grow-ing as they w:light of free-dom's day. O* E-rin, we must lave you, driv-en by the ty-rant's V:2 C C C C | C2 (F F) | F F F F | F F C E | F E F G | V:3 b a a a | a2 (a c') | b b a c' | a a a c' | c' c' c' c' | V:4 c f f f | f2 (f f) | f f f f | f f f c | f f f f | V:1 A2 (f e) | d d c A | c - c F A | (G F) E D | w:hand, And he said, "How's poor ould Ire\-* land, and how* does she w:grow, And* when the leaves in sum-mer-time their ver-dure dare not w:hand, Must we ask a moth-er's wel-come from a strange but hap-py V:2 F2 F- F | F F F F | F- F C F | D-D =B, =B, | V:3 c'2 c'- c' | b b a c' | a- a a c' | =b- =b g f | V:4 f2 a- a | b b f f | f- f f f | g g G G | V:1 C2 (F G) | A A A A | A c- c A | A G G G | w:stand?" She's the most dis-tress-ful coun-try* that ev-er you have w:show, Then* I will change the col-or* I wear in my cau- w:land; Where the cru-el cross of Eng-land's tharll-dom nev-er shall be V:2 C2 (C E) | F F F F | F F- F F | F E E E | V:3 e2 (a c') | c' c' c' c' | c' a- a c' | c' c' c' c' | V:4 c2 (f c) | f f f f | f f- f f | c c c c | V:1 G2 z c | d B Hf d | d c HA F | G F F > F | F3 |] w:seen; They're hang-ing men and wom-en there for wear-ing of the green. w:been, But, till that day, I'll stick for aye to wear-ing of the green. w:seen, And where, in peace, we'll live and die a-wear-ing of the green? V:2 E2 z F | F F HF F | F F HF C | C C C > C | C3 |] V:3 c'2 z a | b d' Hd' b | b a Hc' a | b a a > a | a3 |] V:4 c2 z f | B b Hb b | f f Hf f | c f f > f | f3 |] X:27 T:The Last Rose of Summer % Four-part piano arrangement for standard notation. C:Thomas Moore/Irish Air "The Groves of Blarney" / Flotow's "Martha" S:From "The One Hundred and One Best Songs" / The Cable Company / 1919 / Chicago, Illinois M:3/4 L:1/8 Q:1/4=80 %%staves [(1 2) (3 4)] %%vocalfont Times-Roman 15 K:Eb V:1 clef=treble |:(E > F) | G2 ed c>B | B G3 E>F | (G B2) G F>E | E4 :| w:1.~'Tis the last rose* of* sum-mer, Left* bloom\-* ing a\-* lone; w:~~All her love-ly* com\-* pan-ions Are* fad\-* ed and* gone; w:2.~I'll not leave thee,* thou* lone one, To* pine* on the* stem; w:~~Since the love-ly* are* sleep-ing, Go* sleep* thou with* them; w:3.~So* soon may* I* fol-low When* friend\-* ships de\-* cay; w:~~And from love's shin\-* ing* cir-cle The* gems* drop a\-* way; V:2 clef=treble |:(B, > D) | E2 G2 A>G | G E3 E2 | (E G2) E D>E | E4 :| V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn |:(g > a) | b2 b2 e'2 | e' b3 g>a |b3 b a>g | g4 :| V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn |:(e > e) | e2 e2 e2 | e e3 e2 | e3 e B2 | e4 :| V:1 B>G | (e3 d) c > B | B2 G2 B>G | e2 ed c=B | c2{dc=Bcd}He2 w:No* flow-er of her kin-dred No* rose-bud* is* nigh,* w:Thus* kind\-* ly I scat-ter Thy* leaves o'er* the* bed* w:When* true* hearts lie with-ered, And* fond ones* have* flown,* V:2 E2 | (G3 G) A > G | G2 E2 E2 | E2 GF ED | E2- HE2 V:3 g>b | (b3 b) e' > e' | e'2 b2 g2 | g2 g2 g2 | g2- Hg2 V:4 e2 | (e3 e) e > e | e2 e2 e2 | c2 c2 G2 | c2- Hc2 V:1 (E > F) | G2 ed c>B | B G3 E>F | (G B2 G) F > E | E4 |] w:To re-flect back* her* blush-es, Or* give** sigh for sigh. w:Where thy mates of* the* gar-den Lie* scent\-** less and dead. w:Oh,* who would* in\-* hab-it This* bleak** world a-lone! V:2 (B, > D) | E2 G2 A>G | G E3 E2 | (E G2 E) D > E | E4 |] V:3 (g > a) | b2 b2 e'2 | e' b3 g>a | b4 a > g | g4 |] V:4 (e > e) | e2 e2 e2 | e e3 e2 | e4 B > e | e4 |] X:30 T:Nancy Lee C:Frederick E. Weatherly/Stephen Adams S:From "The One Hundred and One Best Songs" / The Cable Company / 1919 / Chicago, Illinois M:6/8 L:1/8 Q:1/4=160 %%staves [(1)] K:Eb V:1 clef=treble !f!"^{<__With spirit"B | B3-B2 c | B2 G E2 C | B,3- (B,EG) | B3 Lc3 | LB3-B FG | A3 Lc3 | w:1.~Of all* the wives as e'er you know,____ Yeo-ho!* lads!* ho! Yeo\- w:2.~The har\-* bor's past, the breez-es blow,____ Yeo-ho!* lads!* ho! Yeo\- w:3.~The bo'\-* s'n pipes the watch be-low,____ Yeo-ho!* lads!* ho! Yeo\- LB3-B EF | G2 z z2 B | B3-B2 c | B2 G E2 C | B,3- (B,EG) | B3 Le3 | w:ho!* Yeo\-* ho! There's none* like Nan-cy Lee, I trow,____ Yeo\- w:ho!* Yeo\-* ho! 'Tis long* ere we come back, I know,____ Yeo\- w:ho!* Yeo\-* ho! Then here's* a health be-fore we go,____ Yeo\- Ld3-d LG=A | B3-B L=AB | G3 z2 z | z2 z z2 G | A2 A B2 B | w:ho!* Yeo\-* ho!* Yeo\-* ho! See there she stands an' w:ho!* Yeo\-* ho!* Yeo\-* ho! But true an' bright from w:ho!* Yeo\-* ho!* Yeo\-* ho! A long, long life to c2 c d2 d | B3-B2 G | B3 z2 G | B2 B =A2 =A | A2 A F2 F | w:waves her hand up-on* the quay, An' ev-'ry day when I'm a-way she'll w:morn till night my home* will be, An' all so neat an' snug an' sweet for w:my sweet wife an' mates* at sea, An' keep my bones from Da-vy Jones wher\- c3-c B=A | B3 z2 B | B2 B c2 c | d2 d e2 c | B3-B2 G | B3 Lc3 | w:watch* for* me, An' whis-per low when temp-ests blow, for jack* at sea; Yeo\- w:Jack* at* sea, An' Nan-cy's face to bless the place, an' wel\-* come me; Yeo\- w:e'er* we* be, An' may you meet a mate as sweet as Nan\-* cy Lee; Yeo\- Ld3-d BG | F3-F EC | B,3 z2 z | z2 z B3 | e3-e2 B | e2 B d2 c | w:ho!* lads!* ho!* Yeo\-* ho! The sail\-* or's wife the sail-or's B3-B2 G | E3 Lc3 | LB3-B FG | A3 c3 | B3-B EF | G3-G2 B | e3-e2 B | w:star* shall be; Yeo\- ho!* we* go a-cross* the* sea;* The sail\-* or's e2 B d2 c | B3-B2 G | E3 G3 | A2 G A2 B | c3 d3 | e6- | e3 z2 |] w:wife the sail-or's star* shall be, The sail-or's wife his star shall be._ X:44 T:Old Folks at Home % Four-part piano arrangement for standard notation. C:Stephen C. Foster, 1851/Stephen C. Foster S:From "The One Hundred and One Best Songs" / The Cable Company / 1919 / Chicago, Illinois M:4/4 L:1/8 Q:1/4=120 %%staves [(1 2) (3 4)] K:D V:1 clef=treble |:F4 E D F E | D2 d2 B d3 | A4 F2 D2 | E6 z2 | w:1.~~'Way down up-on the Swa-nee Riv-er, Far, far a-way, w:~~~All up and down de whole cre-a-tion, Sad-ly I roam; w:2.~~All roun' de lit-tle farm I wan-dered, When I was young; w:~~~When I was play-ing with my broth-er, Hap-py was I; w:3.~~One lit-tle hut a-mong de bush-es, One that I love, w:~~~When will I see de bees a-hum-ming, All roun' de comb? V:2 clef=treble |:D4 C D C C | D2 F2 G G3 | F4 D2 D2 | C6 z2 | V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn |:a4 g f a g | f2 a2 g b3 | d'4 a2 f2 | a6 z2 | V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn |:d4 d d A A | d2 d2 g g3 | d4 d2 d2 | A6 z2 | V:1 F4 E D F E | D2 d2 B d3 | A2 F > D E2 (E > E) | D6 z2 :| w:Dere's wha my heart is turn-ing ev-er, Dere's wha de old folks* stay. w:Still long-ing for de old plan-ta-tion, And for de old folks at home. w:Den man-y hap-py days I squandered,* Man-y de songs I* sung. w:Oh! take me to my kind old moth-er, There let me live and* die. w:Still sad-ly to my mem-'ry rush-es, No mat-ter where I* roam. w:When will I hear de ban-jo tum-ming, Down in my good old* home? V:2 D4 C D C C | D2 F2 G G3 | F2 D > D D2 (C > C) | D6 z2 :| V:3 a4 g f a g | f2 a2 g b3 | d'2 a > f g2 (g > g) | f6 z2 :| V:4 d4 d d A A | d2 d2 g g3 | a2 A > A A2 (A > A) | d6 z2 :| V:1 "^REFRAIN."c3 d e2 A2 | A3 B A2 d2 | d2 B2 G2 B2 | A6 z2 | w: w:All de world is sad and drear-y, Ev-'ry-where I roam; V:2 G3 G G2 G2 | F3 G F2 A2 | B2 G2 D2 G2 | F6 z2 | V:3 e'3 d' c'2 c'2 | d'3 d' d'2 d'2 | d'2 d'2 b2 d'2 | d'6 z2 | V:4 a3 a a2 a2 | d3 d d2 f2 | g2 g2 g2 g2 | d6 z2 | V:1 F4 E D F E | D2 d2 B d3 | A2 F > D E2 E > E | D6 z2 |] w: w:Oh! dark-ies, how my heart grows wear-y, Far from de old folks at home. V:2 D4 C D C C | D2 F2 G G3 | F2 D > D D2 C > C | D6 z2 |] V:3 a4 g f a g | f2 a2 g b3 | d'2 a > f g2 g > g | f6 z2 |] V:4 d4 d d A A | d2 d2 g g3 | a2 A > A A2 A > A | d6 z2 |] X:59 T:Drink to Me Only With Thine Eyes % Four-part piano arrangement for standard notation. C:Ben Jonson/Old English Air S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:6/8 L:1/8 Q:1/4=70 %%staves [(1 2) (3 4)] K:Eb V:1 clef=treble G G G A2 A | BA G FG A | BE A G2 F | E3-E2 z | w:1.~Drink to me on-ly with* thine eyes,* And I* will pledge with mine;* w:2.~I sent thee late a ro\-* sy wreath,* Not so* much hon-'ring thee* V:2 clef=treble E E E D2 D | ED E FE D | E2 E E2 D | E3-E2 z | V:3 clef=bass %%MIDI transpose -24 b b b b2 b | b2 b b2 b | b2 c' b2 a | g3-g2 z | V:4 clef=bass %%MIDI transpose -24 e e e f2 f | gf e de f | g2 a b2 B | e3-e2 z | V:1 G G G A2 A | BA G FG A | BE A G2 F | E3-E2 B | w:Or leave a kiss with-in* the cup,* And I'll* not ask for wine;* The w:As giv-ing it a hope* that there* It could* not with-ered be;* But V:2 E E E D2 D | ED E FE D | E2 E E2 D | E3-E2 E | V:3 b b b b2 b | b2 b b2 b | b2 c' b2 a | g3-g2 g | V:4 e e e f2 f | gf e de f | g2 a b2 B | e3-e2 e | V:1 BG B e2 B | BG B B2 x B | c2 B BA G | (G3 F2) z | w:thirst* that from the soul* doth rise, Doth ask a drink* di-vine;* w:thou* there-on didst on\-* ly breathe, And sent'st it back* to me,* V:2 E2 G G2 G | GE E GF x E | E2 E D2 E | (E3 D2) z | V:3 gb g b2 b | b2 b d'2 x b | a2 b b2 b | b3-b2 z | V:4 e2 e e2 e | e2 g ba x g | a2 g f2 e | B3-B2 z | V:1 G G G A2 A | BA G (FG A) | (B E) A G2 F | E3-E2 z |] w:But might I of Jove's nec\-* tar sip,* I would* not change for thine.* w:Since when it grows and smells,* I swear,** Not of it-self, but thee.* V:2 E E E D2 D | ED E E2-E | E - E E E2 D | E3-E2 z |] V:3 b b b b2 b | b2 b (c'b a) | g - g c' b2 a | g3-g2 z |] V:4 e e e f2 f | gf e (ag f) | B - B B B2 B | e3-e2 z |] X:65 T:Annie Laurie % Four-part piano arrangement for standard notation. C:Douglas of Fingland / Lady John Scott S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/4 Q:1/4=120 %%staves [(1 2) (3 4)] K:C V:1 clef=treble E3/4D/4 | C>C c>B | B A2 A | G>E (ED/) C/ | D3 (E3/4 D/4) | w:Max\-* wel-ton's braes are bon-nie, Where ear-ly fa's* the dew, And 'twas w:Her* brow is like the snaw-drift, Her throat is like* the swan, her* w:Like* dew on th'~gow-an ly-ing Is~th' fa' o'her fair-y feet, And like V:2 clef=treble C3/4B,/4 | C>C E>G | G F2 F | E>C (CB,/) C/ | B,3 B,3/4- B,/4 | V:3 clef=bass %%MIDI transpose -24 g3/4f/4 | e>e g>c' | c' c'2 c' | c'>g (gf/) e/ | g3 g3/4- g/4 | V:4 clef=bass %%MIDI transpose -24 c | c>c c>e | d d2 d | c>c c>c | G3 (g3/4 f/4) | V:1 C>C c>B | B A2 A | G>E D>C | C2 z G | w:there that An-nie Lau-rie Gi'ed me her prom-ise true; Gi'ed w:face it is the fair-est That e'er the sun shone on; That w:winds in sum-mer sigh-ing, Her voice is low and sweet; Her V:2 C>C E>G | G F2 F | E>C B,>C | C2 z E | V:3 g>g g>c' | c' c'2 c' | c'>g f>e | e2 z c' | V:4 e>e c>e | f f2 f | g>g G>c | c2 z c | V:1 c>c d>d | e3 G | c>c d>d | e3 e3/4 d/4 | w:me her prom-ise true, Which ne'er for-got will be, And for w:e'er the sun shone on, And dark blue is her e'e, And for w:voice is low and sweet, And she's a'~the world to me, And for V:2 G>G G>G | G3 G | E>E A>A | ^G3 =G3/4 F/4 | V:3 c'>c' b>b | c'3 c' | c'>c' c'>b | b3 b3/4 b/4 | V:4 e>e g>g | c3 e | a>a f>f | e3 =g3/4 g/4 | V:1 c>B A c/A/ | G E2 E3/4D/4 | (C/ c) E/ D>C | C2-C/ z/ |] w:bon-nie An-nie* Lau-rie I'd* lay* me doon and dee.* V:2 E>G F F | E C2 C3/4B,/4 | C3/2 C/ B,>C | C2-C/ z/ |] V:3 c'>c' c' a/c'/ | c' g2 g3/4f/4 | e>g f>e | e2-e/ z/ |] V:4 a>e f f | c c2 c | c>c G>c | c2-c/ z/ |] X:66 T:Oh, Wert Thou in the Cauld Blast % Four-part piano arrangement for standard notation. C:Robert Burns/F. Mendelssohn S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:3/4 L:1/8 Q:1/4=88 %%staves [(1 2) (3 4)] K:Bb V:1 clef=treble F2 G F F B | (c > d) d3 f | d > c c3 d | B > A A3 w:1.~Oh, wert thou in the cauld* blast, On yon-der lea, On yon-der lea, w:2.~Oh, wert thou in the wild-est waste, Sae bleak and bar, Sae bleak and bare, V:2 clef=treble D2 E D D D | (F > F) F3 F | F > F F3 F | F > F F3 V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn b2 b b b b | (a > b) b3 d' | b > a a3 b | d' > c' c'3 V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn B2 B B B B | (f > f) B3 B | f > f f3 f | f > f f3 V:1 F | F > F G F B F | G4-G e | c > B B3 F | E > D D4 | w:My plai-die to the an-gry airt,_ I'd shel-ter thee, I'd shel-ter thee; w:The des-ert were a Par-a-dise_ If thou wert there, If thou wert there; V:2 E | D > D E D D D | E4-E G | E > D D3 D | C > B, B,4 | V:3 a | b > b b b b b | (b2(=b2)c') c' | a > b b3 b | a > f f4 | V:4 f | B > B B B B B | e4- e e | f > B B3 B | f > B B4 | V:1 z D G B d B | A > c B3 d | d > c B2 z A | {c}B > A B4 | w:Or did mis-for-tune's bit-ter storms A-round thee blaw, A-round thee blaw, w:Or were I mon-arch of the globe, With thee to reign, With thee to reign, V:2 z B, D G B G | ^F > A G3 B | B > A G2 z ^F | G > ^F G4 | V:3 b2 b b g b | e' > c' d'3 d' | e' > e' d'2 z d' | d' > d' d'4 | V:4 G2 g g g g | g > g g3 g | c > c d2 z d | g > g g4 | V:1 z B B B A G | FG A3 d | c > B B3 F | E > D D4 |] w:Thy shield should be my bos\-* om, To share it a', To share it a'. w:The bright-est jewel in my* crown Wad be my queen, Wad be my queen. V:2 z G G G C C | C2 F3 F | E > D D3 D | C > B, B,4 |] V:3 _d'2 _d' _d' b b | ab c'3 a | a > b b3 b | a > f f4 |] V:4 =e2 =e =e =e =e | f2 f3 f | B > B B3 B | F > B B4 |] X:67 T:Robin Adair % Four-part piano arrangement for standard notation. C:Caroline Keppel/Scotch Melody S:From "The One Hundred and One Best Songs" / The Cable Company / 1919 / Chicago, Illinois M:3/4 L:1/8 Q:1/4=88 %%staves [(1 2) (3 4)] %%vocalfont Times-Roman 11 K:Bb V:1 clef=treble |:F2 G2 A2 | B3 c d2 | (F ^c d2 e2 | d > ^c =c2 F2 | c > =B c2 d2 | (3cB G F2 w:1.~O Gen-e-vieve, I'd give the world To live a-gain the love\-* ly past! w:2.~Fair Gen-e-vieve, my ear-ly love, The years but make thee dear\-* er far! V:2 clef=treble D2 | F > =E F2 G2 | F > =E _E2 _E2 | E > D E2 F2 | (3ED E D2 V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn b2 | b > b b2 b2 | a > a a2 c'2 | a > ^g a2 a2 | (3f-f g b2 V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn B2 | B > B B2 B2 | f > f f2 a2 | f > f f2 f2 | (3B-B B B2 V:1 F2 | d > ^c d2 f2 | f > =e e2 e2 | d > ^c d2 F2 | c > B B2 z w:The rose of youth was dew im-pearled, But now it with-ers in the blast. w:My heart shall nev-er, nev-er rove, Thou art my on-ly guid-ing star. V:2 D2 | F > =E F2 _A2 | G > G G2 _G2 | F > =E F2 D2 | E > D D2 z V:3 b2 | b > b b2 b2 | b > b b2 b2 | b > b b2 b2 | a > b b2 z V:4 B2 | B > B B2 d2 | e > e e2 e2 | f > f f2 f2 | f > B B2 z V:1 B | c d e2 G2 | F B d2 B2 | c d f2 e2 | B c d2 z w:I see thy face in ev-'ry dream, My wak-ing tho'ts are full of thee; w:For me the past has no re-gret, What-e'er the years may bring to me; V:2 F | F F F2 E2 | D D F2 F2 | G G G2 G2 | G G ^F2 z V:3 b | a b c'2 a2 | b b b2 d'2 | c' =b d'2 c'2 | _b a a2 z V:4 d | f f f2 f2 | B B B2 B2 | e d =B2 c2 | e e d2 z V:1 d | d d e2 d2 | c d G2 A2 | B B c2 B2 | A G HdHe w:Thy glance is in the star-ry beam That falls a-long the sum-mer sea.* w:I bless the hour when first we met The hour that gave me love and thee!* V:2 ^F | ^F ^F ^F2 ^F2 | ^F ^F G2 ^F2 | G G A2 G2 | ^C G H^FH=F V:3 a | a d' c'2 a2 | d' d' d'2 d'2 | d' d' e'2 d'2 | a ^c' Hd'Ha V:4 d | d d d2 d2 | d c B2 A2 | G g ^f2 g2 | =e _e HdHc V:1 H"@{^^CHORUS"e2 | d > ^c d2 e2 | d > ^c =c2 F2 | c > =B c2 d2 | (3c_B G F2 F2 | w:O Gen-e-vieve, sweet Gen-e-vieve! The days may come, the days* may go, But V:2 HG2 | F > =E F2 G2 | F > =E _E2 _E2 | E > D E2 F2 | (3ED E D2 D2 | V:3 Ha2 | b > b b2 b2 | a > a a2 c'2 | a > ^g a2 a2 | (3f-f g b2 b2 | V:4 Hf2 | B > B B2 B2 | f > f f2 a2 | f > f f2 f2 | (3B-B B B2 B2 | V:1 %%LineSep 10pt d > ^c d2 f2 | f > =e He2 e2 | d > ^c d2 F2 | c > B HB2 || "@>ad lib"HOe2 | d > ^c Hd2 || w:still the hands of mem-'ry weave The bliss-ful dream of long a-go. O Gen-e-vieve! V:2 F > =E F2 _A2 | G > G HG2 _G2 | F > =E F2 D2 | E > D HD2 || "@>ad lib"OHG2 | F > =E HF2 || V:3 b > b b2 b2 | b > b Hb2 b2 | b > b b2 b2 | a > f Hf2 || "@>ad lib"OHb2 | b > b Hb2 || V:4 B > B B2 d2 | e > e He2 e2 | f > f f2 f2 | f > B HB2 || "@>ad lib"OHB2 | B > B HB2 || X:69 T:The Flowers That Bloom in the Spring % Four-part piano arrangement for standard notation. C:W.S. Gilbert/Arthur Sullivan S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:6/8 L:1/8 Q:1/8=170 %%staves [(1 2) (3 4)] %%vocalfont Times-Roman 13 K:Ab V:1 clef=treble A | A > B A A > B A | A z e e z c | c > B A B E B | A3 z2 w:1.~The flow-ers that bloom in the spring, Tra la, Breathe prom-ise of mer-ry sun-shine w:2.~The flow-ers that bloom in the spring, Tra la, Have noth-ing to do with the case; V:2 clef=treble E | E > E E E > E E | E z A A z E | E > D C D D D | C3 z2 V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn c' | c' > d' c' c' > d' c' | c' z c' c' z a | a > g a g g g | a3 z2 V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn a | a > a a a > a a | a z a a z A | e > e e e e e | A3 z2 V:1 A/- A/ | A > B A A > B A | A z e e z c | c > d c c > d c | c z f f z w:As we mer-ri-ly dance and we sing, Tra la, We wel-come the hope that they bring, Tra la, w:I've* got to take un-der my wing, Tra la, A most un-at-tract-ive old thing, Tra la, V:2 E/- E/ | E > E E E > E E | E z A A z E | =E > =E =E =E > =E =E | F z A A z V:3 c'/- c'/ | c' > d' c' c' > d' c' | c' z c' c' z a | b > b b b > b b | a z c' c' z V:4 a/- a/ | a > a a a > a a | a z a a z a | g > g g c > c c | f z f f z V:1 c/- c/ | B > c B B > c B | e3 E2 c | B > c B B > c B | E3 z2 E | w:Of a sum-mer of ro-ses so fine, Of a sum-mer of ro-ses so fine; And w:With a car-i-ca-ture of a face, With a car-i-ca-ture of a face; And V:2 F/- F/ | =D > =D =D =D > =D =D | E3 E2 E | E > E E =D > =D =D | E3 z2 E | V:3 a/- a/ | a > a a a > a a | g3 g2 a | g > g g a > a a | g3 z2 c | V:4 f/- f/ | f > f f B > B B | e3 e2 A | B > B B B > B B | e3 z2 c | V:1 F G A d c d | B A B G2 E | F G A d c d | B A B HG2 w:that's what we mean when we say that a thing Is wel-come as flow-ers that bloom in the spring. w:that's what I mean when I say or I sing, "Oh, both-er the flow-ers that bloom in the spring!" V:2 F G A d c d | B A B G2 E | F G A d c d | B A B HG2 V:3 d e f b a b | g f g e2 c | d e f b a b | g f g He2 V:4 d e f b a b | g f g e2 c | d e f b a b | g f g He2 V:1 E | A > A A Ae E | A > A A Ae E/- E/ | c > B A B G E | A3 z2 w:Tra, la, la, la, la,* Tra, la, la, la, la,* As we mer-ri-ly dance and we sing, w:Tra, la, la, la, la,* Tra, la, la, la, la,* I've* got to take un-der my wing, V:2 E | E > E E E2 C | E > E E E2 C/- C/ | E > D C D D D | C3 z2 V:3 d' | c' > c' c' c'2 a | c' > c' c' c'2 a/- a/ | a > g a g b g | a3 z2 V:4 g | a > a a a2 a | a > a a a2 a/- a/ | e > e e e e e | A3 z2 V:1 E | A > A A Ae A | A > A A (AHa) A | B > c d B e e | A3 z2 |] w:Tra, la, la, la, la,* Tra, la, la, la, la,* The flow-ers that bloom in the spring. w:Tra, la, la, la, la,* Tra, la, la, la, la,* The flow-ers that bloom in the spring. V:2 C | E > E E E2 E | F > F F F- HF F | A > A A G G G | A3 z2 |] V:3 a | c' > c' c' c'2 c' | c' > c' c' c'- Hc' c' | f' > f' f' e' e' d' | c'3 z2 |] V:4 A | a > a a a2 a | f > f f f- Hf f | d' > c' b e e e | a3 z2 |] X:76 T:In the Secret of His Presence % Four-part piano arrangement for standard notation. C:Ellen Lakshmi Goreh, of India/George C. Stebbins S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:2/4 L:1/8 Q:1/4=65 %%staves [(1) (2 3) (4 5)] %%vocalfont Times-Roman 13 %%DecosBelowSt 3 yes %%NoDecos 3 no %%NoDecos 4 no K:G V:1 clef=treble "@{Slowly"D/ D/ | D B B B | B A E G | G F E D | D3 w:1.~In the se-cret of His pres-ence how my soul de-lights to hide! w:2.~When my soul is faint and thirst-y, 'neath the shad-ow of His wing w:3.~On-ly this I know: I tell Him all my doubts, my grifs and fears; w:4.~Would you like to know the sweet-ness of the se-cret of the Lord? V:2 clef=treble D | DBBB | BAEG | GFED | D3 V:3 clef=treble B, | B,DDD | EECC | C4 | B,3 V:4 clef=bass %%MIDI transpose -24 "^{Slowly"g | gggg | ggge | aagf | g3 V:5 clef=bass %%MIDI transpose -24 G | G4 | c4 | d4 | G3 V:1 D/ D/ | D F F A | A G G B | B A E A | A3 D/ D/ | w:Oh, how pre-cious are the les-sons which I learn at Je-sus' side! Earth-ly w:There is cool and pleas-ant shel-ter, and a fresh and crys-tal spring; And my w:Oh, how pa-tient-ly He lis-tens! and my droop-ing soul He cheers: Do you w:Go and hide be-neath His shad-ow: this shall then be your re-ward; And when\- V:2 D | D[DF][DF][DA] | [DA][DG][DG][GB] | [GB][GA]E[GA] | [F3A] D | V:3 B, | CCCC | B,B,B,D | ^C4 | D3 D | V:4 g | faaf | gggg | eega | a3 f | V:5 G | d4 | G4 | A4 | d4 | V:1 D c c c | c B B B | B F G A | B3 B/ B/ | B d d d | w:cares can nev-er vex me, nei-ther tri-als lay me low; For when Sa-tan comes to w:Sav-ior rests be-side me, as we hold com-mun-ion sweet: If I tried, I could not w:think he Ne'er re-proves me? What a false friend He would be, If He nev-er, nev-er w:e'er you leave the si-lence of that hap-py meet-ing place, You must mind and bear the V:2 Dccc | cBBB | BFGA | B3 B | Bddd | V:3 DDEF | EDDD | ^D^DEE | ^D3 ^D | =DDGG | V:4 ffga | gggg | fbba | f3 f | gbbb | V:5 d4 | G4 | B2 ec | B3 B | G2 =f2 | V:1 d c G "^rit."A | _B _B _B _B | H_B2 =A G | D > D D D | D3 |] w:tempt me, to the se-cret place I go, to the se-cret place I go. w:ut-ter what He says when thus we meet, what He says when thus we meet. w:told me of the sins which He must see, of the sins which He must see. w:im-age of the Mas-ter in your face, of the Mas-ter in your face. V:2 dcG"^rit."A | _B_B[_B_A=F][_BA=F] | H[_B2G] =AG | D>DDD | D3 |] V:3 GGG"^rit."G | GGDD | H_E2 _E^C | D>DCC | B,3 |] V:4 c'c'c'"^rit."c' | d'd'_b_b | H_b2 c'_b | [=b3/2g][b/g]a[fa] | g3 |] V:5 e2 _e2 | d2 _B2 | H_e2 _e_e | d4 | G3 |] X:79 T:Rock of Ages % Four-part piano arrangement for standard notation. C:Augustus M. Toplady/Thomas Hastings S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:3/4 L:1/8 Q:1/4=110 %%staves [(1 2) (3 4)] K:Bb V:1 clef=treble F > G | F2 D2 B > G | F4 B > c | d3 c B A | B4 w:1.~Rock of A-ges, cleft for me, Let me hide my-self in Thee; w:2.~Could my tears for-ev-er flow, Could my zeal no lan-gour know, w:3.~While I draw this fleet-ing breath, When my eyes shall close in death, V:2 clef=treble D > E | D2 B,2 D > E | D4 F > G | F3 E D C | D4 V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn b > b | b2 f2 f > b | b4 b > b | b3 f f f | f4 V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn B > B | B2 B2 B > B | B4 d > e | f3 f F F | B4 V:1 A > B | c3 c A F | B4 A > B | c3 c A F | B4 w:Let the wa-ter and the blood, From Thy wound-ed side which flowed, w:These for sin could not a-tone; Thou must save, and Thou a-lone; w:When I rise to worlds un-known, And be-hold Thee on Thy throne, V:2 C > D | E3 E E E | D4 C > D | E3 E E E | D4 V:3 f > b | a3 a c' a | b4 f > b | a3 a c' a | b4 V:4 f > f | f3 f f f | B4 f > f | f3 f f f | B4 V:1 F > G | F2 D2 B > G | F4 B > c | d3 c B A | B4 |] w:Be of sin the doub-le cure, Save from wrath and make me pure. w:In my hand no price I bring; Sim-ply to Thy cross I cling. w:Rock of A-ges, cleft for me, Let me hide my-self in Thee. V:2 D > E | D2 B,2 D > E | D4 F > G | F3 E D C | D4 |] V:3 b > b | b2 f2 f > b | b4 b > b | b3 f f f | f4 |] V:4 B > B | B2 B2 B > B | B4 d > e | f3 f F F | B4 |] X:84 T:Jesus, Tender Shepherd, Hear Me % Four-part piano arrangement for standard notation. C:Claribel / Mrs. Charles Barnard (Claribel), 1834-1869 S:From "The One Hundred and One Best Songs" / The Cable Company / 1919 / Chicago, Illinois M:4/4 L:1/4 Q:1/4=80 %%staves [(1 2) (3 4)] K:G V:1 clef=treble B A G D | F E E D | G G B B | A B A2 | w:1.~Je-sus, ten-der Shep-herd, hear me; Bless Thy lit-tle lamb to-night; w:2.~All this day Thy hand has led me, And I thank Thee for Thy care; w:3.~Let my sins be all for-giv-en; Bless the friends I love so well; V:2 clef=treble G F E D | D C C B, | B, B, D D | ^C ^C D2 | V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn d' c' b g | g g g g | e g g g | g g f2 | V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn g d e B | c c G G | e e B G | A A d2 | V:1 B A G D | F E E D | G G G F/G/ | B A G2 | G2 G2 |] w:Thro' the dark-ness be Thou near me, Keep me safe till* morn-ing light.** w:Thou hast clothed me, warmed and fed me, Lis-ten to my* eve-ning prayer!** w:Take me, when I die, to heav-en, Hap-py there with* Thee to dwell. A-MEN. V:2 D F E D | D C C B, | B, C ^C ^C | D C B,2 | C2 B,2 |] V:3 g c' b g | g g g g | g g g g | g f g2 | e2 d2 |] V:4 g d e B | c c G G | e e _e _e | d d G2 | c2 G2 |] X:101 T:He Leadeth Me % Four-part piano arrangement for standard notation. C:Rev. Joseph H. Gilmore/William B. Bradbury S:Source "The One Hundred and One Best Songs" - The Cable Company - 1919 - Chicago, Illinois M:4/4 L:1/4 Q:1/4=100 %%staves [(1 2) (3 4)] %%vocalfont Times-Roman 12 K:D V:1 clef=treble A | F>E D A | B G G B | A>F F E/D/ | F F HE w:1.~He lead-eth me! O bless-ed tho't! O words with heav'n-ly* com-fort fraught! w:2.~Some-times 'mid scenes of deep-est gloom, Some-times where E-den's* bow-ers bloom, w:3.~Lord, I would clasp Thy hand in mine, Nor ev-er mur-mur* nor re-pine; w:4.~And when my task on earth is done, When, by Thy grace, the* vic-t'ry's won, V:2 clef=treble F | D>A, A, D | D D D G | F>D D D | D D HC V:3 clef=bass %%MIDI transpose -24 %%jsastem=dn a | a>g f f | g b b d' | d'>a a g/f/ | a a Ha V:4 clef=bass %%MIDI transpose -24 %%jsastem=dn d | d>d d d | g g g g | d>d d d | A A HA V:1 A | F>E D A | B G Hd c/B/ | A F F/E/ D/E/ | F>E D w:What-e'er I do, wer-e'er I be, Still* 'tis God's hand* that* lead-eth me. w:By wa-ters still, o'er troub-led sea, Still* 'tis His hand* that* lead-eth me. w:Con-tent, what-ev-er lot I see, Since* 'tis my God* that* lead-eth me. w:E'en death's cold wave I will not flee, Since* God thro' Jor\-* don* lead-eth me. V:2 C | D>A, A, D | D G HG G | F D D/C/ B,/C/ | D>C D V:3 a | a>g f f | g b Hb d' | d' a b f | a>g f V:4 A | d>d d d | g g Hg g | d d B B | A>A d V:1 "^REFRAIN."A |: A d c e | d c/B/ A B | A F F/E/ D/E/ |1 F F HE A :|2 F>E HD |] w:He lead-eth me! He lead-eth* me! By His own hand* He* lead-eth me; His w:* faith-ful fol-low'r I would* be, For by His hand* He* **** lead-eth me. V:2 F |: F F E A | A A/G/ F G | F D D/C/ B,/C/ |1 D D HC E :|2 D>C HD |] V:3 a |: d' a a c' | d' d' d' d' | d' a b f |1 a a Ha c' :|2 a>g Hf |] V:4 d |: d f a g | f g d d | d d B B |1 A A HA A :|2 A>A Hd |]